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Bob Fass – Producer bellyband medical – with China the first splint
As a pioneer in radio form free, Fass air a variety of different characteristics of each night. Other notable guests include investigative journalist Mae Brussell, Abbie Hoffman comments on the Chicago Seven trial, a planning conference for the Central Park Be-In, and the first appearance by Phoebe Snow Radio.
Response to the fair
Manufacturer Neil, legislative director of the ACLU in New York in 1960, said Fass was a midwife the birth of the culture-cons. Ralph Engleman, in his book, Public Radio and Television USA: a political history, Fass cited as the "father of free radio. "
It also plays an important role in the book of Mark Fisher, something in the air, on the impact of radio in the years after television. Washington Post columnist, describes how angry and will not take it anymore! scene in the movie, Red, has emerged from a real incident when WOR Jean Shepherd urged his listeners to open their windows, stick their heads and scream! Xcelsior " then he wrote:
hepherd rendered invisible and let the audience see each other, but Bob Fass, who understands that the next level, giving social and means policies. Fass has really opened the door and drew the audience into the action. He used the media to build a very real movement.
Bob Fass c.1966. (Photo: July Lester)
Bob Fass was born June 29, 1933 and raised in Brooklyn, New York. Fass received a scholarship to study drama with Sandy Meisner and Sydney Pollack at the Neighborhood Playhouse and was a member of the Stella Adler studio. He appeared on the scene of Brendan Behan The hostage Circle Plaza in education, real estate Slovic Dustin Hoffman, and The Man with the Golden Arm at Cherry Lane, among other New York productions. When he entered in the army in 1956, started the theater at Fort Bragg, North Carolina. In 1960, he assumed the role of director in the Broadway production the legendary Threepenny Opera with Lotte Lenya. Over the next two years, has played a variety of roles in the series, also as assistant stage.
In 1963 he began working at WBAI, one of the first listener sponsored by the nation, non-commercial stations operated by Pacifica Foundation. Novelist and poet Richard Elman, a friend from high school Fass, who has been producing programs for the theater season and Literature Department Foss contributed to finding a job as an advertiser. Then it struck midnight until dawn block of time to use at will. Jay Arena, radio waves Unnamable, and had written the same benefits as any other broadcaster — two turntables, a microphone, a stack of records, perhaps a guest in the studio, a friend on the phone … (But) the radio, he created yet transcended the common property.
Bob Fass Radio Spins unmentionable
(Photo by Carlos Rotmil)
The Unnamable by Samuel Beckett, Fass was reading at the time, gave the show its title. His signature cards, you morning, cabal, came from a listener. Log want online, as William B. Williams you in the morning the world Fass said. no person has sent a postcard that offers you the morning, cabal. I looked in the dictionary and discovered that the word Kabbalah comes from Orse. Initially, people gathered on horseback through the night with his identity hidden, even from each plot Othero or plan something subversive. And I thought is: you cabal morning.
Fass has its training in quality to the radio through your voice. Filmmaker Susan remembers listening to Bob Lazaro show as a teenager. She fell asleep and awoke a few hours after listening to Tom Rush singing a beautiful song Live in the study of BAI. Called Urge for Going, a Canadian composer named new Joni Mitchell (who was also the piano and singing at Radio Unnamable). Lazarus remembers the feeling of discovering something Fass at the time of transmission. t was like magic.
Nowhere Jay Arena writing may hear a DJ for two discs simultaneously, or vice versa or the same song over and over and over time, simply because he liked his message. Nowhere in the years 60 could hear callers and hosts both criticize Lyndon B. Johnson escalated the Vietnam war, encouraging men to burn their draft cards, let alone shine in terms of their drug experiences. Unspeakable Radio was a radio cons before anyone uses the term to U.S. abandoned youth. Bob Fass was a hippie before there were hippies.
From the first days of Radio Unnamable Fass has experimented with sound, inspired the art of the audio heard by John Cage and Bill Butler. Collaboration with Gerd Stern and Michael Callahan media collective USCO, which had produced the sound fields to Timothy Leary shows Fillmore East, then dipped and began creating dense mixtures in air.
In the heat of the moment would Fass layer four or five sound sources, an instruction register by writing a Hopi ceremony India against war songcannons firing from a longer text. He was weaving and springs, make the strongest and sweetest, the introduction of new voices and noises that he wanted to make a comment the State of the Union, or simply create a mood. When everything came together in a moment of perfect timing, the effect was fascinating.
Viewing the production of these mixtures in the wings of time has been as fun as listening to them in the air. brainstorming Fass receive only a few seconds before a court to be exhausted and fall into the nightclub looking for the perfect transition. e-existed in a somewhat plain different than the rest of us, Steve Post recalled in her memoirs of life on WBAI, Playing in the FM band. and was more spontaneous. Everyone the copy, but it was the best.
Fass always pressure to expand the boundaries of radio communication. In the midst of 70 years asked the engineer and the station chief resident technical guru, Mike EDL, if there was a way to mount a device that allowed up to ten calls in the air at the same time. The integrated Edl has become a centerpiece of the show Fass, allowing more of their listeners to connect to it, and others. Fass rarely precipitated by telephone calls. Community organizers know that you can always Fass airtime to spread the word of the current crisis and future events. Is this a continuous outlet for anonymous, not spun, ignored and unknown. At least one flame detector suicide for advice in the air.
A long list of musicians have appeared on Radio Unnamable, as Townes Van Zandt David Peel, Richie Marinas, Jose Feliciano, Patti Smith and Phil Ochs (parodying Positively 4th Street, a half-comic contest semblance of Bob Dylan, but called later saying disapproval that Dylan was just to play with an electric guitar and a band behind him). Jerry Jeff Walker and David Bromberg had the song Mr. Bojangles in the series, The Incredible String Band came to England with his manager, Joe Boyd, Happy and Artie Traum often stopped by before heading back to Woodstock.
After Arlo Guthrie debuted with their classic, Alice Restaurant in 1966, hundreds of calls asking where they could buy the album. Arlo same not a recording contract yet. Bob knew Dave Van Ronk, the Village folk scene in the store of Conrad. (They shared a birthday Fass and remember that Once celebrated by sneaking into the pool from the street Carmen the night.) Garland Jeffreys, Moogy Klingman and Buzzy Linhardt are hometown boys, they are still repeat visits.
Others who made the scene in the past include Taj Mahal, Paul Siebel, Muddy Waters, Otis Spann, Skip James, Rosalie Sorrels, Tiny Tim with his ukulele, Cat Jake and the Family Jewels, the mother and the all night newsboys Melanie, Penny Arcade, Rambling Jack Elliot, Tom Rapp and Pearls before swine, Frank Zappa, flute virtuoso Jeremy Steig, The Holy Modal Rounders, Sis Cunningham, and again and again and again.
Many of those Radio Unnamable from playing great commercial success, other private concerts remain a precious secret between Bob and his listeners.
Hovering over of all is Bob Dylan. Fass met Dylan, before he began his radio career, double dating with Karla Rotolo, one step Manager hostages, and his sister, Suze, who was Dylan's girlfriend. and went to dinner and poker flat Dylan, La Posada's music in the street 4, Fass said. hen began the show, listened to and sometimes press a key it. I returned to Lightnin 'Hopkins.
Dylan appeared Bob once improvised comedy show with Suze Rotolo and John Herald in 1963. Listeners also has a preview of their upcoming album, Freewheelin '. In 1966, amid recording Blonde on Blonde, he returned to Radio Unnamable, taking phone calls from listeners. Dylan anthem against the hurricane is came in the mid 70's, Fass played all night for five nights in a row and in 1986, when Dylan turns 45, held a marathon 45 hours WBAI their music.
Fass said the connection to the NPR reporter (and former WBAI news reporter) Jon Kalish, in this way ob Dylan, the bard is the master of our time. I am grateful to be alive, as it was written. Somehow, it's like to have known Shakespeare.
Fass remembers his first guest in the air was Paul Krassner, editor of realism, soon followed by Zen poet DA Levy, who spoke about the legalization of marijuana. Krassner became a regular guest with Timothy Leary, wavy gravy (also known as Hugh Romney adical clown who started the commune Hog Farm and crowd control kept Woodstock pies and spray bottles of cream soda rebels) filmmaker Robert Downey (years later, Robert Downey Jr., actor, sings Radio Unnamable) jazz musician David Amram, actor, comedian and writer, Marshall Efron the unforgettable interpreter of weird, but the club, brother Theodore, and ewboy flamboyant Texan Kinky Friedman (years before he starts stories mystery writing and took possession of the policy).
Bob Fass c.1969. (Photo by Jim Demetropoulis)
Allen Ginsberg, Peter Orlovsky and Gregory Corso, studied and taught in English classes around the world, appeared Radio Unnamable multiple times. For many years, lawyer activist Flo Kennedy listeners on the latest crimes in the U.S. judicial system. Steve Israel, Ben and Judith Malina's Living Theatre, the actor Rip Torn (and, more recently, his son, the director Tony Torn) and Ed Sanders, Tuli Kupferberg Fugs and the rest, all were comfortable in the program Fass. Then there was Abbie Hoffman former civil rights organizer turned politician who appeared constantly provocative during the tumultuous years from 1968 to 1973. and a telephone near the bed and call Anita Hoffman said Jay Arena. t was an incredible feeling of an intimate small.
Listening Bob Fass programs of the 1960s and 70 travel in time as the birth of rock joy and growth of this community of idealistic and irreverent U.S. who dared challenge the status quo.
Some think it started one night in the air in 1966, when invited to Fass Cabal join him for the Fly-In, a meeting at JFK, where he and his friends can meet and party with listeners of Radio Unnamable and friends, while the planes took off and landed at the bottom. (Vision and it was like the Hawaiians that greet you when you step off the plane with collars, kisses, and the song, Fass said.)
About a month later, on Saturday, February 11, 1967, 3000 people showed up at midnight No coldest day of the year, playing guitar and spending time in the international arrivals terminal under monumental Alexander Calder mobile. Fass said the author Jay Arena, the hat was the first indication that I had so many people and so eager to meet. ome thing about this electronic thing – This radio station – which allows you to listen to other people like them and that the idea of plowing alone.
Excited by the response in the fly, Fass and his friends sought a new opportunity to bring to the tribe. Emmett Grogan (who worked with the anarchist collective, shovels and duty free shop travel without a ticket, food and fugitives services and other needy citizens of New York's Lower East Side) suggested that the next meeting should put all that positive energy wisely, omo waste cleanup on the Lower East Side. It's all the encouragement needed Fass and Paul Krassner.
announced plans for a sweep to be held April 8, 1967, invited the public to join them in cleaning up waste block Krassner littering the floor, Calle 7 between Avenue D and 3rd Avenue. Word of spring cleaning has finally arrived in New York City Department of Sanitation. Apparently embarrassed by the idea of dirty hippies work for them, the city trucks were sent at dawn to clean the block, high bottom, hitherto unprecedented.
Is that not cool the enthusiasm of the audience Fass. When they arrived armed brooms, mops, sponges and cleaning solutions and found the original mission had been accomplished, but simply moved to the lane 3 and began to wash. The New York Times reported that a large group of participants were children from Westchester County and Long Island.
It was not long before the movement was raised in New York National. Abbie Hoffman became a household name in August 1967 after leading a protest anti-capitalist in New York Stock Exchange, traders shower with dollar bills. Unspeakable Bob Fass Radio Communications has become the center of the Yippies!, International Party Youth, began by Hoffman, Jerry Rubin, Fass, Krassner, and others, for children with flowers, old acidheads left together in a group that could change the course of American society.
The Yippies! attracted the attention of everyone that October, at the request permit to levitate the Pentagon during a massive demonstration against the Vietnam War, which drew 50,000 in Washington DC Fass can be heard on the tapes of the event (With Ed Sanders, the rock band, The Fugs, and a woman named Mountain Girl) singing, ut demons, out! in his attempt to exorcise the evil spirits in the department War.
But not everyone appreciates the humor and Yippies proved difficult to keep things light in 1968. Fass and his friends during months in the planning of the air on March 1 in Chicago during the Democratic National Convention in August. They have been called of life, unlike the summer's death, were the agents of political power has been progress in Vietnam. As a sort of practice for the big event, the Yippies Yip decided to organize a Grand Central Terminal in New York in March 1968.
It started as a Happy Party Go Lucky, a gathering of people who gathered at the rally here and Easter Be-In in Central Park last year. WBAI reporters were on the scene and Bob Fass was the transmission of phone calls from Paul Krassner and others in the Grand Central, to describe the good vibes and turn to high. Then, suddenly, things have degenerated. Many hippies in the commune, motherfuckers up against the wall, decided that it would be a symbolic gesture to draw clock hands to the station in violation of time. Couple set firecrackers and other New York police began to crack and break the head cameras. As panicked people streamed through the exits, more than 200 police rounded to throw people like the Village Voice reporter, Don McNeil, through glass doors, and other drag and arrest them.
Decades before CNN or the World Wide Web was to provide new eal-time, Radio Unnamable is there a link between people inside the terminal and the audience hears at home. (Fass, even called the police station Police know that the monitoring station was a direct attack on the air.) It aired testimony of the scene and spoke to Abbie Hoffman, who was patched his wounds Bellevue Hospital. Washington Post reporter, Nicholas von Hoffman, came directly from Grand Central to join Fass in the air. SA Member of the press establishment, said: I would say that the police used excessive force.
It was a sudden onset of the Yippies, but also the moment that solidified place Bob Fass information network in the city. He gave the second story, unfiltered citizens distrust the media general public could trust. As Jay said Arena in radio ob Fass Unnamable not only to know the news, which helped shape events of the time.
The following month, when students occupied the school premises to protest against the position of the University Columbia on the war and a plan to evict the residents of Harlem to build a gymnasium, WBAI, Fass with the demonstration of the head, the Executive Directorate as a hub for the protesters. After the assassination of Martin Luther King and Robert Kennedy (two in 1968), Fass provided in-depth coverage being replaced, giving listeners and independent researchers the opportunity to mourn, discuss theories, expressing views and information business too controversial for mainstream media to touch.
In the weeks preceding the Democratic National Convention 1968, the people and guests Radio Unnamable discussed the opportunity to walk directly into the path of troops Mayor Daley. Fass warns listeners know what they were go where you want. They waste no time in Chicago. Scelsi wine later, a large New York radio broadcaster in his own right, then a WBAI listener, said Jay Arena, and all those who were charged as co-conspirators, not just the Chicago Seven. We were all in this area. Everything was provided in the Bob show.
Fass has rarely left his command post at WBAI Master Control, but at the last minute, went to Chicago and all he saw and heard and recorded not only the Yippies view. After reporting a noise that sounded like a crack head against M1 someone, Fass realized that some National Guard ook very afraid. Are putting their gas masks. To plow a lot of experience with them.
The hippies subsequent attack, correct and journalists as network news was transmitted live on television. When the dust is fallout, several colleagues were arrested for conspiracy Fass and incitement to riot. Fass escaped prosecution and returned to WBAI in the next decade, the program has become a kind of alternative Hall, Abbie Hoffman calls almost every night with an update sample Study of Seven of Chicago, which lasted for months. Protesters against the draft your court after being arrested for requesting hearing with Bob on strengthening bail. A woman called to say that the owner had set fire to his building and had no other place to go — there were carpenters music that could help rebuild? During the long years of imprisonment of Rubin Carter, a murder he did not commit, attorney Flo Kennedy called Radio Unspeakable regular or keep the case in the consciousness of radio listeners at least night, "said Fass. Do not forget to visit Woodstock in the '70s, said Bob Dylan arteries was unfairly being black n arrogant. More Years later, Dylan sang his song which tells the epic story of wrongful conviction (urricane) and formed his Rolling Thunder Review specifically to raise money to defend Carter. Fass calls for a new trial later claim Carter and NE of the major cooperative efforts, where the hippies and blacks came together to make a change before Jessie Jackson's Rainbow Coalition.
Even in later years Abbie Hoffman 1973 arrest intent to sell cocaine (Fass was created), he changed his name and appearance and are hidden, sometimes even seemed Radio Unnamable.
Bob Fass went to his show on WBAI New York and has undergone radical changes. In 1970, the movement split into factions and Directors new programs and station managers for review filed in the station tried to block some air time feminist activists Gay, African-Americans, Hispanics, Native Americans, and others. Fass and many believe that this approach is the antithesis of the character WBAI staff. In 1977, Fass was at the vanguard of a power struggle for the future of the station. Participated in a personal attempt to form a union. Management accused of iving in the past and ordered not to discuss matters of internal channels in the air. It was a application which is unable to answer because he was convinced that radio listeners to support non-trade payables deserve know and have a voice in what was expected. The stand was ended with some officials of the WBAI takeover transmitter on the Empire State Building, while others (including Fass) remained anchored in the studios, broadcast over telephone lines were cut off and police arrived far.
New York City station of the freedom of expression to lock the front door and stopped broadcasting for a total of 35 days. Fass was suspended for five long years, during which he returned to action, became a guest house WFMU in New Jersey and has campaigned to return to his rightful throne at WBAI.
Since its reintroduction in 1982, Fass has continued in the same line. Singers like Jeffrey Lewis, Roy Zimmerman, Debby Dalton, Kathy Zimmer and Rav Shmuel, blues guitarist Guy Davis Walker and Toby Keith radical environmentalist Lampke (also known as Ponderosa pine) and visual artists like Keith Haring, Art Spiegelman and Ben Katchor McArthur partners are only a few who have joined the list of invitees Radio Unnamable. Fass assembly members The Lovin 'Spoonful in the air, led the Phil Ochs Memorial (a tribute to the life and music of the live broadcast of a folk singer on the Lower East Side in December 2005) and went to Houston to celebrate the anniversary of Jerry Jeff Walker, who recorded and played on the radio.
Fass was a fierce critic and constant, as he calls it, the war for oil and continues to speak ush against capital punishment, often putting prisoners to appeal the prison in the air. A return to the issue of homelessness in New York Times more, awareness of dangerous city shelters, reports on the gentrification many parts of the city that has always provided affordable housing, and to strike the assault on the city in rent control. In mid-1980, Fass is Record distance in the tent city of homeless people have erected in Tompkins Square Park on the Lower East Side. He worked with the Living Theater and members this community to produce a game based on his experience (which included both professional actors and homeless), called God's hands. For 2006, Fass on WBAI time had been reduced to one night per week.
In his book about life on WBAI, playing on the tape FM, Steve Post Bob Fass described as huge man back blond hair and large black-rimmed glasses, with hands so large they seemed dominate his huge body. Her voice, sweet and nice I have heard of desktop monitors seemed somehow detached from its body. Post, which began as WBAI accountant before hosting their own program, it was, Fass describes how he took under his wing is wide and the right to see him at work, to teach what he knew, the demystification of the process.
Julius Lester, a former SNCC photographer, remember that this fear Fass, during the first year he made his own program on WBAI people constantly confused with Bob.
Larry Josephson made man WBAI in the morning and finally station manager, remembers the first time Bob told him to control teachers, like Dorothy entering Oz does.
In fact, Fass creates a magical atmosphere and does everything seems so easy, it has encouraged dozens of kids want to be a DJ. His continuing impact is obvious, according to Marc Fisher, author of Something air (Random House, 2007), which says Fass has inspired a host of other personalities like Howard Stern, Sirius (who listened to Bob a lot as a child) Tom Leykis in Los Angeles and Wine Scelsi, to mount the radio.
like the idea of sharing, each which, according to his ability, to each according to his needs "Says Fass. I connect people in a city with people from another. I believe that the information can cure almost anything.
As already indicated, Fass was always willing to lend an ear and share the air with absolutely anyone who felt they had something to say. This generosity often leads to endless, boring, bragging that only a mother could love, but also led bursts often dynamic, friendly vision, energy, humor and understanding.
Unlike almost any which radio or TV personality can think fear silence, Bob Fass. Seconds pass by him, apparently, reflects the spirit of your guests or on leaving the listener, a large space to fill in the blanks. Moreover, being a nice host Bob Fass is a good listener.
Fass has never been a brilliant humorist Jean Shepherd, who preceded him on WOR late '50s, not an investigator stars. His style is to make a few blows to the soft image of your room, then the content to follow suit. His singular talent, as was Jay Arena Radio waves Unnamable, is orchestrated great mix, and Fass, beauty exists in the way events are intertwined in the art presentation is complete .. and for the better or worse, the divergent strands of life that presented Fass merged to form a lucid the whole time he said, YE BYE.
Looking back in Grand Bazaar udio presided over more than forty years, Fass said the little moments that stand out for him. nce at 3 am, a guy named Lower East Side and spoke something and then said: hoa! Do you hear the thunder? A woman in the Bronx who is also on the line, paused, then said, oh! See the flash! You could hear the thunderous applause to the city and have the feel of a municipal network. "
Remember the appearance of Black Panther Radio Unnamable Brooklyn back in the day, Fass said, a bit like when people are a bit hostile and suspicious, me and the audience to warm up and gain the end the show.
In 1971, a man called about 2:45 ET announced that he had taken pills and was going to commit suicide. Fass asked promise not to call the authorities, but refused to Fass. "I do not want to lie," Fass explained to a reporter the next day. Finally someone that f you tell a lie, what kind of life depreciates. Fass spent the next two hours talking to the person who called in live on air, WBAI other workers to contact the police and the phone company trace the call attempt.
Later that morning, the police finally found the appellant is lying unconscious on the floor of his room. His phone was picked up, the radio tuned to WBAI. He was taken to the hospital in critical condition but survived. Fass said the man contacted him later and thanked him for coming. The press tried to make a hero, but he opposed. When a reporter from the Daily News came home, wanting to have his image Fass handed him a photo of his colleague, Larry Josephson, through a slot in the door. Josephson on the front page incorrectly identified as "Bob Fass WBAI DJ heroic. "Fass said later he thought, would like to have your photo in the newspaper arry.
The columnist Jimmy Breslin noted Fass at work in 1985: "the big man in a link dyed T-shirts, Fass had two or three callers on the air at once. They talked about the battered women's syndrome and mortgages to low income. A caller to interact with other nonsense words Tinea Left! Someone opened the door and said we food! As Breslin left, Melanie went on their way, just get to sing on Radio Unnamable.
In mid-1980, Fass was almost homeless. AJ Weberman Fass rent a truck and a storage unit to store your important files, payable in advance by many years.
Washington Post columnist Marc Fisher remembers spending a night on WBAI in 2005. phone calling to say that children were being abused by Police in Brooklyn. Bob has been the effort to telephones and the show became an open forum where listeners with an account almost play-by-play of the meeting from their different perspectives. It was an amazing mix of old pillars of the cons-culture and a new hearing BAI Caribbeans and African-Americans. Bob Fass was the link circuit.
Fass was paid last time for radio in 1977. Musicians such as Dave Bromberg shot in tribute to thank Bob or give us in our careers. Many of his colleagues turned as protected coastal Steve Post, Larry Josephson, Scelsi and wine, and talked about his generosity of his time. The auditors have made donations to fund your retirement. BAI t pay me better than people remember, I think, "said Fass.
In 2005, Manufacturer me Neil, president emeritus of the School of Social Policy at GWU, has organized a Christmas party Fass. this right has spent billions of dollars to revise history and distort both the collective memory manufacturer said. He suggested that the successful restoration and archiving 45 years of Bob Fass program Ould be a giant first step in the recovery of this history.
Unspeakable radio 80 hours were purchased and are currently available in the Museum of Television and Radio in New York. This is a documentary film about today production Fass and Radio Unnamable.
Bob Fass and Steve Post with Howard Stern, c.2005. (Photo: Laura Rosenberg)
ike many others, Bob wanted to change the world. Unlike many others, had access to the airwaves, and thus a real opportunity to do so. Jay Arena said.
When we speak today for those who listened to Bob Fass regularly over the past 60 years, one can feel almost spiritual reverence not yet Radio Unnamable. Before the cultural explosion of the mid-1960-before listening to the radio ritual Unnamable became a shared community by cons-culture of the city Fass discovered that he felt as if they had operated a ticket to a magical world, and many religious devotees became Radio Unnamable instantly.
MP3 clips of Unspeakable radio, including a segment of 90 minutes with Bob Dylan as a asked since 1966.
Playing in the FM band: A Personal Account of Radio Free Steve Post Viking Press, 1974, ISBN 0-670-55927-X
"A radio station with hair, sweat and odor Real Body" The New York Times, Susan Braudy, September 17, 1972, Sunday Magazine
"The Staff members take insurgent WBAI Coup In "The New York Times, Robert D. McFadden, 12 February 1977
Arena, Jay. "Radio waves unspeakable." January 24, 1996. August 28, 2006 <http://188.8.131.52/fass/>.
Breslin, Jimmy. "Between evangelization and a rock concert, justice." NY Daily News on October 29, 1985.
Engleman, Ralph. Public Radio and Television in America: a political history. Thousand Oaks, CA:. Sage Publications, 1996 [page needed]
Fisher, Marc Something in the air. New York, NY. Random House, 2007 [page needed]
Platzer, David "Some nights Unnamable Radio with Bob Dylan," The London Magazine December 2004/January 2005
"In the air, an announcer and sharing a murderer a platform of "New York Times, February 24, 2008
^ Rafferty, Thomas. "Suicide is a plant called WBAI." NY Daily News November 7, 1971
^ Clarity, James F. "Radio station contributes to the rescue calls to suicide." New York Times January 7, 1971: p. 84
^ Listen AARP donated
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